Andrew Norman Wilson
awilson7@saic.edu

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Information

CV
UbuWeb

Notable Viewings

Instagram

Twitter

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Impersonator
17m 53s ● 4K video ● Colour ● Sound ● 2021

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In the Air Tonight
11m ● HD Video ● Colour ● Sound ● 2020

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Z = |Z/Z•Z-1 mod 2|-1
13m 43s ● 2/3 channel HD video ● Colour ● Sound ● 2020

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Lavender Town Syndrome exhibition at Ordet, Milan in 2020

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Hirngespenster exhibition at The Kunstverein Braunschweig in 2019

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Kodak
33m ● HD Video ● Colour ● Stereo ● 2019
(and related print works)

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Exhibition at the Center for Contemporary Art Futura, Prague in 2018

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I don't feel the way I'm supposed to feel
infinite loop ● HD Video ● Colour ● Sound ● undated

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Pretense exhibition at Human Resources, Los Angeles in 2017

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This Light exhibition at the Künstlerhaus Stuttgart in 2017

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Ode to Seekers 2012
8m 30s ● HD Video ● Colour ● Sound ● 2016

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The Unthinkable Bygone
2m 18s ● HD Video ● Colour ● Sound ● 2016

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Reality Models
5m 40s ● HD Video ● Colour ● Sound ● 2016

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Humpty Dumpty

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Artificial Selection exhibition at Rowing, London in 2015

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Artificial Selection exhibition at Plymouth Rock, Zurich in 2015

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Mosquito Computer
mosquito larvae, mosquitos, artist's blood, anodized aluminum custom computer case, anodized aluminum hard drive enclosures, acrylic, window screen, pond water, tree resin/amber, "On Golden Pond" by Mark Rydell (1981) ● 2015-current

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Wether exhibition at Chapter NY, New York in 2015

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Uncertainty Seminars
12m 55s ● 5 channel HD Video installation ● Colour ● Sound ● 2014

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Uncertainty Seminars exhibition at Fluxia in Milan, Italy in 2014

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SONE
business ● 2013-15

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The Refrain: Medfield/Walpole

The Refrain exhibition at Threewalls, Chicago in 2013

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ScanOps

ScanOps
varied print media ● 2012-current

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Workers Leaving the Googleplex

Workers Leaving the Googleplex
11m 3s ● 7 Channel / 2 Channel / Single Channel HD Video ● Colour ● Sound ● 2011

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Why is the No Video Signal Blue? Or, Color is No Longer Separable From Form, and the Collective Joins the Brightness Confound

Why is the No Video Signal Blue? Or, Color is No Longer Separable From Form, and the Collective Joins the Brightness Confound.
HD Video ● Colour ● Sound ● 2011


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Global Countdown

Global Countdown
8m 10s ● h.264 Video ● Colour ● Sound ● 2011

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Virtual Assistance

Virtual Assistance
business relationship ● 2009-11

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Curatorial

This Light
Image Employment
Dream Factory

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Syllabi

Great Expectations (Cooper Union)
The Theater of Truth

Great Expectations (UCLA)
Introduction to the Vampire Squid From Hell Club

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Sound

Mixcloud
Soundcloud

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Writing

BOMB interview
The Artist Leaving the Googleplex
for e-flux
Letter to the President and CEO of Buffalo Wild Wings
Darren Bader's monograph for Koenig Books
Ode to Seekers 2012 for artforum
This Light Creed
Reality Models for the Kunstlerhaus Stuttgart
Pretense
Letter to Bill and Melinda Gates
Virtual Assistance in Media Fields Journal

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more information:
After Image (2)
Aperture
art:21
Art Agenda
Art in America (2)
Arts of the Working Class
ARTouch
ARTnews
ArtReview (2, 3, 4, 5)
artforum (2)
ArtSlant (2)
Artsy
b2o
BOMB (2)
Business Insider
Buzzfeed
Camera Austria
Contemporary Art Daily (2, 3, 4, 5, 6)
Contemporary Art Writing Daily
Critical Inquiry
Cultured
The Culturist
cura.
Dazed
DIS magazine
DVDyourMemories
e-flux (2)
Filmmaker Magazine
Flash Art (2, 3, 4)
Frieze (2, 3)
Gizmodo
Guardian
Hyperallergic
i-D Magazine
independent curators international (2)
Kaleidoscope
Koenig Books
Media-N
MoMA Warsaw
Motherboard
Mousse (2)
MUBI
The New Republic
New Yorker
The Next Web
Paris Review
PC Pro
Photographers Gallery
Rhizome (2)
Schloss-Post (2)
Spike
Sternberg Press
T Magazine
Tank Magazine
Texte zur Kunst Ullens Center for Contemporary Art Beijing
The Verge
Wired (2)
X-TRA