ANDREW NORMAN WILSON

Andrew Norman Wilson is an artist and director based between Europe and America. Festival screenings include Sundance, the New York Film Festival, and Rotterdam. His work is in collections such as the Museum of Modern Art New York, Whitney Museum of American Art, The Getty Museum, and The Centre Pompidou, and he has exhibited at LUMA Arles, MoMA PS1, and the Gwangju and Berlin Biennials. He has taught at UCLA, SAIC, and Cooper Union, and lectured at Oxford University, Cambridge University, Harvard University, and Yale University. His work has been featured in Artforum, ArtReview, BOMB, Frieze, The New Yorker, and Wired, and he has published writing in Artforum, The Baffler, and the Paris Review.

EDUCATION

School of the Art Institute of Chicago
            Master of Fine Arts 2011
Syracuse University, Newhouse School of Communications
            BS in Television, Radio and Film 2006

SOLO AND TWO-PERSON EXHIBITIONS

2021   MIT List Visual Arts Center, Cambridge, Massachusetts
2020   Lavender Town Syndrome, Ordet - Milan, Italy
2019   Hirngespenster, Kunstverein Braunschweig - Braunschweig, Germany
            SITUATION, Fotomuseum Winterthur - Winterthur, Switzerland
            Kodak, Document - Chicago, Illinois
2018   Center for Contemporary Art Futura - Prague, Czech Republic
            KRIEG - Hasselt, Belgium
2017   Ode to Seekers 2012 + Mosquito Computer, Broad Art Museum - East Lansing, Michigan
            Pretense, Human Resources - Los Angeles, California
2016   Ode to Seekers 2012, Document - Chicago, Illinois
2015   Artificial Selection, Rowing - London, England
            Artificial Selection, Plymouth Rock - Zurich, Switzerland
            Starcom Mediavest, Leo Burnett Building - Chicago, Illinois
2014   SONE, Project Native Informant - London, England
            Material Uncertainty, Fluxia - Milan, Italy
2013   The Refrain: Medfield/Walpole, threewalls - Chicago, Illinois
            Movement Materials and What We Can Do, tenstakonsthall.se (online), Tensta Konsthall - Stockholm, Sweden
2012   ScanOps, Document - Chicago, Illinois
            ScanOps, Art Metropole - Toronto, Ontario
            Workers Leaving the Googleplex/ScanOps - Reed College - Portland, Oregon
2011   Windows and Mirrors, New Capital - Chicago, Illinois
            Appendix Space - Portland, Oregon
            Workers Leaving the Googleplex, LG Space - Chicago, Illinois
            Virtual Assistance, Extra Extra Gallery - Philadelphia, Pennsylvania

SELECT SCREENINGS AND FESTIVALS

2022   International Film Festival Rotterdam - Rotterdam, The Netherlands
            Curtas Vila do Conde - Vila do Conde, Portugal
            Curtocircuíto – International Film Festival - Santiago de Compostela, Spain
            Nomadica at LABA, Brescia, Italy
            Concorto Film Festival - Pontenure, Italy
            Andrew Norman Wilson - Sound Works, Acropolis Cinema - Los Angeles, California (solo)
            Curtocircuíto Pulsar Focus - Santiago de Compostela, Spain (solo)
            St. Mortiz Art Film Festival - St. Moritz, Switzerland
            Bucharest Short Film Festival - Bucharest, Romania
            2022 Palm Springs International ShortFest - Palm Springs, California
            20th Tabor Film Festival - Desinić, Croatia (solo)
            Pluk de Nacht Film Festival - Amsterdam/Utrecht, The Netherlands
            Into the Great Wide Open - Vlieland, The Netherlands
2021   Sundance Film Festival 2021 - Park City, Utah
            International Film Festival Rotterdam - Rotterdam, The Netherlands
            Le Cinema Club - online
            Lo schermo dell'arte Film Festival - Florence, Italy
            IndieLisboa International Film Festival - Lisbon, Portugal
            34th Filmwinter Stuttgart - Stuttgart, Germany
            The New Infinity 2021, Cinema at Zeiss-Großplanetarium Berlin - Berlin, Germany
            Festival du court métrage de Clermont-Ferrand 2021 - Clermont-Ferrand, France
            Seattle International Film Festival - Seattle, Washington
            European Media Art Festival No. 34 - Osnabrück, Germany
            37. Kurzfilm Festival Hamburg - Hamburg, Germany
            Norwegian Short Film Festival - Grimstad, Norway
            2021 Palm Springs International ShortFest - Palm Springs, California
            Film Festival Cologne - Cologne, Germany
            Kassel Dokfest - Kassel, Germany
            REGARD - Saguenay International Short Film Festival - Saguenay, Canada
            London Short Film Festival 2021 - London, England
            19th International Festival Signs of the Night - Bangkok, Thailand
            Pluk de Nacht Film Festival - Amsterdam/Utrecht, The Netherlands
            Bueu International Short Film Festival - Pontevedra, Spain
            Americana Film Festival - Barcelona, Spain
            Florida Film Festival - Maitland, Florida
            Open Cinema - Spazio Volta - Bergamo, Italy
            Alchemy Film and Moving Image Festival - Hawick, Scotland
            19th Tabor Film Festival - Desinić, Croatia
            Festival Internacional de Cine independiente de La Plata Festifreak - Buenos Aires, Argentina
            Crested Butte Film Festival - Crested Butte, Colorado
            Bolton Film Festival - Bolton, England
            Nashville Film Festival - Nashville, Tennessee
            Denver Film Festival - Denver, Colorado
            Tacoma Film Festival - Tacoma, Washington
            Cámara Lúcida International Contemporary Film Festival - Cuencam, Ecuador
            Philadelphia Film Festival - Philadelphia Pennsylvania
            Cork international Film Festival - Cork City, Ireland
            What Will Survive of Us, Ujazdowski Castle Centre for Contemporary Art - Warsaw, Poland
2020   International Film Festival Rotterdam - Rotterdam, The Netherlands
            New York Film Festival - New York, New York
            5th Floor, Centre d’Art Contemporain Genève - Geneva, Switzerland
            CURTOCIRCUÍTO 2020 Radar Competition - Santiago de Compostela, Spain
            Internationale Kurzfilmtage Winterthur - Winterthur, Switzerland
            PAF Olomouc 2020 festival - Olomouc, Czech Republic
            Invisible Adversaries, Amos Rex - Helsinki, Finland
            Krakow Film Festival - Krakow, Poland
            Two Days of Video Art, Schirn Kunsthalle - Frankfurt, Germany (solo)
            What We Could Have Won, South London Gallery - London, England
            Beijing International Short Film Festival - Beijing, China
2019  International Film Festival Rotterdam - Rotterdam, The Netherlands
            OA/AO, De Appel - Amsterdam, The Netherlands (solo)
            Regent Street Cinema - London, England (solo)
            The sky above the port was the colour of television, tuned to a dead channel, Center for Contemporary Arts - Tallin, Estonia
            Gretchen Bender: So Much Deathless - Virtual Histories Screenings (with Olivier Assayas), Red Bull Arts - New York, New York
            Memory Presents: FWD Short Films, Underground Museum - Los Angeles, California
            Camera Austria - Graz, Austria (solo)
            Chicago Underground Film Festival - Chicago, Illinois
            Moscow International Experimental Film Festival - Moscow, Russia
            Una presentación sobre la insuficiencia de las imágenes, Terremoto La Postal - Mexico City, Mexico
2018   Fake Friends, Institute of Contemporary Art - Philadelphia, Pennsylvania (solo)
            Mediums & Kodak, Union Docs - New York, New York
            Paris Avant-Premiere, Caro Sposo - Paris, France (solo)
            Projections, New York Film Festival - New York, New York
            Swiss Institute Presents: Andrew Norman Wilson: The Order of Ought, Anthology Film Archives - New York, New York (solo)
            Monokino, Museum of Contemporary Art - Ostend, Belgium
            Interior: Night, Marjorie Barrick Museum of Art - Las Vegas, Nevada
            Sol Air, Mavra - Berlin, Germany
            Nocturnal Reflections: Immanent Cloud, Macao - Milan, Italy
2017   This Light: The New York Announcement of a New Cinema, e-flux - New York, New York
            Crossroads, San Francisco Museum of Modern Art - San Francisco, California
            Havana Film Festival - Havana, Cuba
            Uncertainty Seminars with Andrew Norman Wilson, Stroom Den Haag - Den Haag, Netherlands (solo)
            Sekula Beyond Sekula: Andrew Norman Wilson, Thyssen-Bornemisza Art Contemporary - Vienna, Austria (solo)
            EXiS festival - Seoul, Korea
            Alternative Cinema: Andrew Norman Wilson, Colgate University - Hamilton, New York (solo)
            Ann Arbor Film Festival - Ann Arbor, Michigan
            Contact 3017, Honolulu Museum of Art - Honolulu, Hawaii
            Modern Times, Dikeou Pop-Up - Denver, Colorado
            Milwaukee Underground Film Festival - Milwaukee, Wisconsin
            Royal Anthropological Institute Film Festival, Cube Cinema - Bristol, England
2016   Double Feature, Schirn Kunsthalle - Frankfurt Germany (solo)
            Reality Models, Kunstlerhaus Stuttgart/ Theater Rampe - Stuttgart, Germany (solo)
            e-flux journal series, REDCAT - Los Angeles, California
            Andrew Norman Wilson, CaroSposo, Cinémathèque Robert-Lynen - Paris, France (solo)
            Metropolitan Cosmopolitan, 83 Pitt Street - New York, New York
            New Feelings, Opening Times at the Material Art Fair - Mexico City, Mexico
            Marketplace for Creativity, Yerba Beuna Center for the Arts - San Francisco, California
            The Artist Leaving the Googleplex, Microlights Cinema - Milwaukee, Wisconsin (solo)
            A Night with Andrew Norman Wilson, Shanaynay - Paris, France (solo)
2015   Hyperlinks, Center for Contemporary Art - Tel Aviv, Israel
            Spooky at a Distance, The Green Gallery West - Milwaukee, Wisconsin
            Les Rencontres Internationales, Haus der Kulturen der Welt - Berlin, Germany
            Image Employment, Lodos - Mexico City, Mexico
            Leaving the Googleplex, dotdotdot - Open Air Kurzfilmfestival at Volkskundemuseum - Vienna, Austria 
2014   Projections, New York Film Festival - New York, New York
            #VOICEOVER, Palais de Tokyo - Paris, France / KALEIDOSCOPE Project Space - Milan, Italy
            Prospectif Cinema, Centre Pompidou - Paris, France
            Three Things for Two Things, The Hammer Museum - Los Angeles, California
            Movement Materials and What We Can Do, Digital Labor Conference, The New School - New York, New York (solo)
            Les Rencontres Internationales, Gaîté Lyrique - Paris, France
            MILLENNIUM FILM JOURNAL AT 35, Anthology Film Archives - New York, New York
            Dream Factory, Museum of Contemporary Art Sydney and Minerva - Sydney, Australia
            Barriers to Entry, Chicago Filmmakers - Chicago, Illinois
2013   Movement Materials and What We Can Do, Universität der Künste Berlin - Berlin, Germany (solo)
            Movement Materials and What We Can Do, Photographers Gallery - London, England (solo)
            Movement Materials and What We Can Do, Haus der Kulturen der Welt - Berlin, Germany (solo)
            Movement Materials and What We Can Do, C21 at University of Wisconsin-Milwaukee - Milwaukee, Wisconsin (solo)
            Movement Materials and What We Can Do, I Never Read Art Book Fair Basel, Volkshaus Basel - Basel Switzerland (solo)
            Movement Materials and What We Can Do, New York Art Book Fair, MoMA PS1 - Queens, New York (solo)
            OK.Video Festival, Galeri Nasional Indonesia - Jakarta, Indonesia
            Impakt Festival - Utrecht, the Netherlands (solo)
            A flote: Economies submergides i precarietat laboral, Sala d’Art Jove - Barcelona, Spain
            Dream Factory, ETCAMA: The Problem of Everything - Amsterdam, The Netherlands
            Dream Factory, Art Dubai - Dubai, UAE
            Dream Factory, Import Projects - Berlin, Germany
            Dream Factory, FACT - Liverpool, England  
2012   Sidewalk Stories - Images Festival - Toronto, Ontario
            Made in America - San Francisco International Film Festival - San Francisco, California
            Movement Materials and What We Can Do, Parsons The New School for Design - New York, New York (solo)
            Movement Materials and What We Can Do, ZERO1 Biennial - Sausalito, California (solo)
            Movement Materials and What We Can Do, American Medium - New York, New York (solo)
            Movement Materials and What We Can Do, Images Festival/Art Metropole - Toronto, Ontario (solo)
            Movement Materials and What We Can Do, Reed College - Portland, Oregon (solo)
            INDUSTRIAL on tour, Goethe-Institute (Max Mueller Bhavan) - Kolkata, India
            Gross World Product, tank.tv - London, England (solo)
            Image Employment: Overtime, MoMA PS1 Sunday Session - Queens, New York
            Pictures in Motion, Berwick Film & Media Arts Festival - Berwick-upon-Tweed, UK
            Video Vortex, Museum of Contemporary Art Zagreb - Zagreb, Croatia
            ASPECT EZ: txt + img, ASPECT - Boston MA
            Artefact Festival, STUK Arts Centre - Lueven, Belgium
            Speechless, Museum of Contemporary Photography - Chicago, Illinois
            Lumiere and After - Cornell Cinema - Ithaca, New York
2011   Lumiere and After, San Francisco Cinematheque - San Francisco, California
            BYOB Chicago, Museum of Contemporary Art - Chicago, Illinois
            Kassel Documentary Film & Video Festival - Kassel, Germany
            video_dumbo, DUMBO Arts Center - Brooklyn, New York
            ATA Film & Video Festival - San Francisco, California
            Urban Research on Film, Directors Lounge - Berlin, Germany
            Video Task Screening, Get Friday Office – Bangalore, India (solo)

SELECT GROUP EXHIBITIONS

RESIDENCIES AND AWARDS

2022   Dedalus Foundation Fund
2020   La Becque Artist in Residence - Vevey, Switzerland
2019   Sound and Vision Institute Found Footage Award - International Film Festival Rotterdam
2016   Techne - Kunstlerhaus Stuttgart and Theater Rampe - Stuttgart, Germany
2015   Akademie Schloss Solitude Fellowship - Stuttgart, Germany
            Starcom Mediavest Group Artist in Residence - Chicago, Illinois
2013   Impakt Artist in Residence- Utrecht, Netherlands
2012   Headlands Center for the Arts Artist in Residence - Sausalito, California
            San Francisco International Film Festival Golden Gate Award
            Illinois Arts Council Artist Project grant
2011   Dedalus Foundation Master of Fine Arts Fellowship
            SAIC MFA Fellowship
2010   Interactive Screen 1.0 Scholarship Intensive - Banff Center - Alberta, Canada

PERFORMANCES + LECTURES

2021   Le Mensuel n°16 | Photographie, Centre Pompidou - Paris, France
            Fictions, Realism, and the Motion Picture Industry, MIT List Visual Arts Center - Cambridge, Massachusetts
            Sound Works, Canary - Los Angeles, California
            Sound Works, Brno University of Technology - Brno, Czech Republic
            Untitled, The Mountain School of Arts - Los Angeles, California
2020   Untitled, School of Visual Arts - New York, New York
            Two Days of Video Art, Schirn Kunsthalle - Frankfurt, Germany
2019   Untitled, Merz Akademie - Stuttgart, Germany
            The Artist Leaving the Googleplex, International Film Festival Rotterdam - Rotterdam, The Netherlands
2018   Points of View, Fake Friends Symposium, Princeton University - Princeton, New Jersey
            The Artist Leaving the Googleplex, Yale University - New Haven, Connecticut
            Untitled, University of California, Riverside - Riverside, California
2017   The Artist Leaving the Googleplex, Cambridge University - Cambridge, England
            The Artist Leaving the Googleplex, Academy of Fine Arts Leipzig - Leipzig, Germany
            The Artist Leaving the Googleplex, PXL-MAD School of Arts - Hasselt, Belgium
            This Light: The New York Announcement of a New Cinema, e-flux- New York, New York
            The Artist Leaving the Googleplex, de Appel Arts Centre - Amsterdam, Netherlands
            Untitled, Royal Academy of Art, The Hague - The Hague, Netherlands
            The Artist Leaving the Googleplex, Cooper Union - New York, New York
2016   Untitled, Interlink Visiting Artist Series at the School of the Art Institute of Chicago - Chicago, Illinois
            The Artist Leaving the Googleplex, Visiting Artist Lecture Series at UCLA - Los Angeles, California
            Love and Truth panel (with Travis Diehl, Jibz Cameron, and Kevin McGarry), Art Los Angeles Contemporary - Los Angeles, California
2015   Image Employment, Centre Pompidou, Bibliothèque Kandinsky - Paris, France
            »(Re)Constructing Authorship«, Akademie Schloss Solitude - Stuttgart, Germany
            Artificial Selection, Zürcher Hochschule der Künste - Zurich, Switzerland
            Artificial Selection, Staatliche Akademie der Bildenden Künste Stuttgart - Stuttgart, Germany
            Lie Down Comedy, Shanaynay - Paris, France
            Gross World Product, Academy of Fine Arts Finland - Helsinki, Finland
2014   Image Employment, Harvard University - Cambridge, Massachusetts
            Art Basel Salon | Discussion | Art & Commerce (with Christopher Kulendran Thomas and Melanie Bühler - Basel, Switzerland
            Gross World Product, Oberlin College - Oberlin, Ohio
2013   Gross World Product, Oxford University - Oxford, England
            Gross World Product, Nottingham Trent University - Nottingham, England
            Image Employment, FACT - Liverpool, England
            Gross World Product, California Institute of the Arts - Los Angeles, California
            Gross World Product, Bruce High Quality Foundation University - New York, New York
            Image Employment: Overtime, MoMA PS1 Sunday Session - Queens, New York
            Stock Fantasy Ventures Investor Meeting, Palazzo Peckham, 55th Venice Biennale - Venice, Italy
            Stock Fantasy Ventures Investor Meeting, Impakt Headquarters - Utrecht, Netherlands
            The Photographic Universe II, Parsons The New School for Design - New York, New York
             Artie Vierkant's Art Now course at New York University - New York, New York
            Lie Down Comedy, Rhizome Benefit, New Museum - New York, New York
2012   Company Safety, Silvershed Gallery - New York, New York
            University of Colorado Boulder - Boulder, Colorado
2011   Verbindingen/Jonctions 13 - Brussells, Belgium
            Virtual Assistance Meeting - Hyperallergic Headquarters - Brooklyn, New York
            Open Engagement Conference - Portland State University - Portland, Oregon
            Double Feature Lecture with Nick Bastis - Mess Hall - Chicago, Illinois
            Virtual Assistance Meeting - Extra Extra - Philadelphia, Pennsylvania
2010   Virtual Assistance Meeting - Sullivan Galleries - Chicago, Illinois
            InCUBATE Public Culture 3: Virtual Assistance Meeting - threewalls gallery - Chicago, Illinois
            Interactive Screen 1.0 - Banff Center - Alberta, Canada
            Dan Price's Concepts/Materials/Processes Course - School of the Art Institute of Chicago
2009   Liisa Robert's Graduate Media Seminar - Academy of Fine Arts Finland

TEACHING

2020                    Visiting Faculty - Cooper Union, School of Art
2019                    Visiting Faculty - Merz Akademie, Cross-Media Publishing
2018                    Visiting Faculty - University of California Los Angeles, New Genres Department
2014                    Visiting Faculty - Parsons School of Design, School of Art
                             Faculty - Bruce High Quality Foundation University
2013-current       Visiting Artist engagements at Yale University - New Haven, Connecticut; School of the Art Institute of Chicago - Chicago, Illinois; Zürcher Hochschule der Künste - Zurich, Switzerland; PXL-MAD School of Arts - Hasselt, Belgium; Royal Academy of Art, The Hague - The Hague, Netherlands; University of California, Los Angeles; Staatliche Akademie der Bildenden Künste Stuttgart - Stuttgart, Germany; Academy of Fine Arts Finland - Helsinki, Finland; California Institute of the Arts - Los Angeles, California; Nottingham Trent University - Nottingham, England                    
2012                    Adjunct Faculty - School of the Art Institute of Chicago, Contemporary Practices

PUBLICATIONS, MEDIA, AND PRESS

Paola Antonelli. "Andrew Norman Wilson’s Workers Leaving the Googleplex" MoMA Magazine, 08/24/22 (Interview)
Andrew Norman Wilson. "Tricks, Tension, Surface, Suspense" The Paris Review, 05/10/22 (Essay)
Anne-Sophie Bories. "Paired readings: computational literary studies between rupture and continuity" Histoire de la recherche contemporaine, 01/14/22 (Essay)
Aily Nash. "In the Air Tonight: A Conversation with Andrew Norman Wilson" Flash Art, 11/18/21 (Interview)
Jared Quinton. "Andrew Norman Wilson at MIT List Visual Arts Center" Art Agenda, 11/09/21 (Review)
Stefanie Diekmann. "Hauntologie und Kopie - 'L’Image et son double' im Centre Pompidou, Paris" Texte Zur Kunst, Oct. 13, 2021 (Review)
Jordan Cronk. "25 New Faces of Independent Film" Filmmaker Magazine, Fall 2021 (Feature)
Rebecca Herlemann. "Two Days of Video Art" Schirn Kunsthalle Frankfurt, 07/23/20 (Video Interview)
J.J. Charlesworth. "Exit Through the Monitor: the Best Video Art to Watch Online" 05/29/20 (Feature)
Rahel Aima. "9 Artists’ Art Lessons You Can Watch Online for Free" Artsy, 04/10/20 (Feature)
Barbara Casavecchia. "Andrew Norman Wilson at Ordet Milan" ArtReview, 04/01/20 (Review)
Jordan Cronk. "State of the Festival: Rotterdam 2020's Shorts" MUBI Notebook, 04/06/20 (Review)
Ana Torok. "Regarding Artists Regarding Labor" Media-N, Spring 2020 (Essay)
Carlos Kong. “In Practice: Total Disbelief SculptureCenter / New York" Flash Art, 03/11/20 (Review)
Robert Barry. "Notes on the International Film Festival Rotterdam" Arts of the Working Class, 02/18/20 (Review)
Camilla Babi. "Andrew Norman Wilson Ordet / Milan" Flash Art, 2/04/20 (Review)
Juliet Jacques. "Juliet Jacques on Norway’s Screen City Biennial" Art Review, December 2019 (Review)
Kris Cohen. "Literally, Ourselves" Critical Inquiry, Autumn 2019 Volume 46 Issue 1 (Feature + Cover)
David Markus. "What Now for Hong Kong (And for Us)?" Frieze, 8/08/19 (Review)
Nick Pinkerton. "His Masters Voice - On Andrew Norman Wilson's Kodak" Camera Austria, Issue 145 (Feature)
Liang Baoshan. "【道聽途說】看得見的勞動與看不見的語境——在革命時代中觀展" ARTouch, 7/08/19 (Review)
"蟻民如我們 能定義自己的未來嗎?" The Culturist, 6/30/19 (Review)
Liz Park. "Andrew Norman Wilson: Kodak" After Image, Vol. 46 No. 2, June 2019 (Review)
Jared Quinton. "Andrew Norman Wilson Interviewed by Jared Quinton" BOMB Magazine, 2/21/19 (Interview)
Lauren DeLand. "Andrew Norman Wilson at Document" Art in America, March 2019 (Review)
Laura Mallonee. "Is That a Hand? Glitches Reveal Google Books' Human Scanners" Wired, 2/07/19 (Feature)
Hettie Judah. "What Role Do Photographers Play in an Increasingly Automated Image Culture?" Frieze, 11/08/18 (Feature)
Andrew Norman Wilson and James N. Kienitz Wilkins. "Sincerely," Schlosspost, 9/22/18 (Interview)
"Andrew Norman Wilson at Futura" Contemporary Art Writing Daily, 9/3/18 (Review)
Dean Kissick. "The Downward Spiral: My Struggle" Spike Art Magazine, 8/15/18 (Column)
Jonathan Beller. "The Computational Unconscious" b2o, 8/02/18 (Essay)
Andrew Norman Wilson. "Artist Sketch for Time-Based Work" X-TRA Contemporary Art Quarterly, Summer 2018 (Feature)
Omar Kholeif. "Goodbye, World! Looking at Art in the Digital Age" Sternberg Press, May 2018
Allison Grimaldi-Donahue. "A Series of Substitutions: On Darren Bader" BOMB Magazine, 4/25/18 (Feature)
Ben Valentine. "On the Edge of Google" Rhizome, 4/16/18 (Feature)
Steve Kado. "Andrew Norman Wilson" Flash Art, January-February 2018 (Review)
Andrew Norman Wilson. "Darren Bader" Koenig Books, 2018 (Monograph Essay)
Travis Diehl. "Hollow Google Earth" Cultured Magazine, Fall 2017 (Feature)
Kris Cohen and Christa Noel Robbins. "Placeholder Labor: An Introduction" Open Set, 5/09/17 (Article)
Chris Fite-Wassilak. "Let's Get Cynical" Art Review, 03/22/17 (Feature)
Viktoria Draganova. "Double Feature Conversation" Schirn Kunsthalle Frankfurt, 01/25/17 (Video Interview)
Artsy Editorial. "The Top Emerging Artists of 2016" Artsy Magazine, 12/14/16 (Feature)
Daniel Urban. "Double Feature: Andrew Norman Wilson" Schirn Mag, 11/25/16 (Feature)
Matthew Ryan Smith. "Scandalous Images, Divine Light: Photography and the Aesthetics of Scanography" Prefix Photo, November 2016 (Feature)
Alexander Provan. "The Eleventh Gwangju Biennale" 4Columns, 10/07/16 (Review)
Andrew Norman Wilson. “500 Words” Artforum, September 2016 (Feature)
Andrew Norman Wilson. "Liquidation Simulation" Schloss-Post, 09/13/17 (Feature)
Andrew Norman Wilson. “The Artist Leaving the Googleplex” e-flux journal, June 2016 (Feature)
Laura Herman. "Bucharest Biennale 7" Metropolis M, 07/16/2016 (Review)
Sabrina Tarasoff. "Glass Houses" X-TRA Contemporary Art Quarterly, Fall 2016 (Review)
Orit Gat. "Andrew Norman Wilson at Rowing" ArtReview, March 2016 (Review)
Andrew Norman Wilson. "ScanOps" in Fantasies of the Library, edited by Anna-Sophie Springer and Etienne Turpin, Cambridge: MIT Press, 2016 (Feature)
John Chiaverina. "Bankable" ARTnews, 01/20/16 (Review)
"Artificial Selection" Because Magaine, 01/05/16 (Review)
Andrew Norman Wilson. "Starcom Mediavest Recognitions" X-TRA Contemporary Art Quarterly, Winter 2015 (Feature)
Alexandra Bondi de Antoni "abjects“ untersucht die verletzbarkeit der echten welt im digitalen zeitalter" i-D Magazine, 09/16/2015 (Article)
Andrew Norman Wilson "Styles and Customs in the 2020s" Supercommunity: e-flux journal 56th Venice Biennale, 06/10/2015 (Article)
Ionit Behar. "Andrew Norman Wilson Therapizes the Corporate World" ArtSlant, May 2015 (Review)
Barbara Casavecchia. "Material Uncertainty" Frieze, Issue 164, June-August 2014 (Review)
McKenzie Wark. "Designs for a New World" e-flux journal, October 2014
Fiona Duncan. "Nine Publishers to Visit at the New York Art Book Fair" T: The New York Times Style Magazine, 09/25/14
Alex Ross and Andrew Norman Wilson. cura., Summer 2014 (Letter and Cover)
Nick Irvin. "Corporate Aesthetics: Andrew Norman Wilson" Art in America, May 21, 2014 (Interview)
Bianca Stoppani. "Andrew Norman Wilson" Kaleidescope, Winter 2014 (Feature)
Shama Khanna. "Under the Skin" Kaleidescope, Winter 2014 (Article)
Olivia Solon. "Artist reveals disembodied workers scanning books for Google" Wired Magazine UK, 01/17/14 (Feature)
Kenneth Goldsmith. "The Art of Google Books" The New Yorker, 12/05/13 (Feature)
Zing Tsjeng. "Into the Googleplex" Dazed Digital, 12/2/2013 (Interview)
Daniel C. Blight. "An Interview with Andrew Norman Wilson" Photographers Gallery blog, 11/25/13 (Interview)
Andrew Norman Wilson. “Stock Fantasy Ventures Investment Proposal” DIS Magazine, 9/8/12 (Feature)
Amy Knight. "Interview with Andrew Norman Wilson" Dazed Digital, 8/1/2013 (Interview)
DIS Magazine. "Stock Fantasy Ventures at Palazzo Peckham" DIS Magazine, 5/28/2013 (Feature)
Laurel Ptak. “Interview with Andrew Norman Wilson” Aperture Magazine, Spring 2013 (Interview)
Christabel Stewart and Ajay R.S Hothi. "Of Stuff and Dreams" Tank Magazine, Spring 2013 (Feature)
James Michael Shaeffer, Jr. "Interview with Andrew Norman Wilson" Elena Michael, Spring 2013 (Interview)
Jean Kay. "Interview with Andrew Norman Wilson" aqnb, 2/26/13 (Interview)
Alex Pasternack. “ECCO The Dolphin’ as a Psychedelic Screensaver” Motherboard, 2/15/13 (Feature)
Tony Ponce. “Ecco the Dolphin’s music was never this bizarre” Destructoid, 2/13/13 (Feature)
Jed Perl. "Photography in an Age of Smartphones" The New Republic, 2/14/13 (Feature)
Sabine Weier. "Das Google Klassensystem" der Freitag, 2/2/13 (Interview)
Matthew Fuller. "Several Repititions on the Nature of the Copy" Concreta Journal, Fall 2012 (Article)
Steven L. Bridges. "GL(ITCH): ScanOps" Independent Curators International, 9/19/12 (Feature)
Daniel Quiles. "Andrew Norman Wilson: ScanOps" Artforum, 06/12, (Feature)
Jovana Jankovic. "Orientations and Identities" Afterimage, Vol 40. No. 1 (Review)
Steven L. Bridges. "gl(itch)" Independent Curators International, 5/24/12 (Feature)
Amar Toor. "Artist turns 'Ecco the Dolphin' into psychedelic art installation" The Verge, 5/24/12 (Feature)
Reyhan Harmanci. "The Hidden Hands Scanning The World's Knowledge For Google" Buzzfeed, 5/19/12 (Feature)
Louis Doulas. "Art from Outside the Googleplex: An Interview with Andrew Norman Wilson" Rhizome, 5/14/12 (Interview)
Robert Kedzierski, "Google przenosi ksiazki do Internetu - artysta widzi w tym dzielo sztuki" Gazeta.pl Technologie. 3/23/12 (Feature)
Martin Bryant. "Google Books scanning errors turned into works of art" The Next Web, 3/23/12 (Feature)
David G. Ortiz. "Este joven transforma en arte los errores de escaneo en Google Books" http://lainformacion.com, 3/18/12 (Feature)
Paul Estrada. "Errores de escaneo en Google Books se convierten en exposicion fotografica" FayerWayer. 3/18/12 (Feature)
Andrew Rosinski. "ScanOps And Workers Leaving the Googleplex" DINCA, 2/28/12 (Feature)
Hannah Daly. "The Best is Yet to Come" ArtSlant, 1/02/2012 (Review)
Courtney R. Thompson. "The Economies of Transparency" ArtSlant, 11/22/2011 (Review)
Dijana Kadic. "Andrew Norman Wilson: Pushing the Buttons of Corporate America" f Newsmagazine, 11/22/11 (Feature)
James H. Miller. "Notes From the Indie Underground" San Francisco Bay Guardian, 10/19/11 (Review)
Andrew Norman Wilson. "How To Create A Color-Coordinated Site of Relaxation and Bodily Engagement in a Large Scale Exhibition, Airport, Hotel, Mall, Bank, Spa, or Biennial" art:21 blog, 9/14/11 (Feature)
Andrew Norman Wilson. "Why is the No Video Signal Blue?" Pool, August 2011 (Feature)
Veken Gueyikian. "Join Us on Wed Aug 17 to Discuss Outsourcing Art" Hyperallergic, 7/10/11 (Feature)
Nicholas O'Brien "Conversation with Andrew Norman Wilson" Bad At Sports, 7/28/11 (Interview)
Kimberly Brooks. "SAIC 2011 MFA Sculpture Grads" Huffington Post, 6/17/11 (Feature)
Reyhan Harmaci. "Artist Reveals Google's Caste System" The Bay Citizen, 5/10/11 (Feature)
Xavier de la Porte. "Travailleurs quittant le complexe Google" internet ACTU, 5/9/11 (Feature)
Pascal-Emmanuel Gobry. "At Google, Talking to Coworkers Can Get You Fired" Business Insider, 4/30/11 (Feature)
Brian Barrett. "Google's Secret Class System" Gizmodo, 4/30/11 (Feature)
Wetter. "Tag der Arbeit: Googles View-Klassen-Gesellschaft" Netzpolitik, 5/1/2011 (Feature)
Barry Schwartz "Does Google Have a Class System for Googlers?" Search Engine Land, 5/2/11 (Feature)
Gregg Dourgarian "The Secret Story of Google's Contingent Workers" Staffing Talk, 4/30/11 (Feature)
Andrew Norman Wilson. "The Virtual Assistance Project" Get Friday blog, 4/1/11 (Feature)
Sunder P. "Pushing the Frontiers of Exploration" Get Friday blog, 4/1/11 (Feature)
Matthew Newton. "A Tale of Two Googles " Thought Catalog, 3/17/11 (Feature)
Andrew Norman Wilson. "Virtual Assistance" Media Fields Journal, Issue 2 (Interview)
Roberta Fallon. "Virtual Assistance' Humanizes Outsourcing" Philadelphia Weekly, 1/19/11 (Review)
Holly Otterbein. "First Friday Focus" Philadelphia City Paper, 1/15/11 (Preview)
Andrew Norman Wilson. "Virtual Assistance - My Thoughts" Post-Human // Future Tense Essays (Feature)
Andrew Norman Wilson. "Virtual Assistance - My Thoughts" Rubric Journal, Summer 2010 (Feature)

Collections

Museum of Modern Art New York, Whitney Museum of American Art, Centre Pompidou, Centre national des arts plastiques France, Kunstmuseum Bonn, Museum of Modern Art Warsaw, the Institute of Contemporary Art Miami, the Stolbun Collection, Seven Gravity Collection, Polyeco Contemporary Art Initiative, Collection Lambert, and the Kadist Foundation.


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